Blackthorn
Neutral, steady, measured adventure / action, grounded in texture. Ambivalent, intimate, measured, hand-scored across twelve axes of taste.
How every film is hand-scored →In Bolivia, Butch Cassidy (now calling himself James Blackthorn) pines for one last sight of home, an adventure that aligns him with a young robber and makes the duo a target for gangs and lawmen alike.
Our read · Blackthorn (2011) reads as a neutral, steady, grounded adventure · action · western entry — measured in intensity, intimate in scope, measured in temperature, ambivalent in outlook. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.
More info & search links
The shape of Blackthorn
What watching it is actually like.
“You want a weathered outlaw western about one last ride home.”
Skip it tonight — Slow-burn revisionist westerns feel too dusty and talky tonight.
The reading.
Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.
Eight films that read most like this one.
Closeness in the twelve-axis space — how the film actually reads, not “people also liked.”
Discussion
What does your Movie DNA look like?
Rate a few films you've seen. We map your taste across the same twelve axes and find the films you'll actually want to watch tonight.
Calibrate yourself