Being There
- measured
- gentle
Neutral, measured, gentle comedy / drama, inventive in texture. Ambivalent, intimate, measured, hand-scored across twelve axes of taste.
How every film is hand-scored →A simple-minded gardener named Chance has spent all his life in the Washington D.C. house of an old man. When the man dies, Chance is put out on the street with no knowledge of the world except what he has learned from television.
Our read · Being There (1979) reads as a neutral, measured, inventive comedy · drama entry — gentle in intensity, intimate in scope, measured in temperature, ambivalent in outlook. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.
Availability in the UK · via JustWatch
More info & search links
The shape of Being There
What watching it is actually like.
“You want deadpan political satire and a fable about how TV shapes American power.”
Skip it tonight — You want plot momentum tonight or need jokes that announce themselves loudly.
The reading.
Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.
Eight films that read most like this one.
Closeness in the twelve-axis space — how the film actually reads, not “people also liked.”
Discussion
What does your Movie DNA look like?
Rate a few films you've seen. We map your taste across the same twelve axes and find the films you'll actually want to watch tonight.
Calibrate yourself