Bastille Day
- kinetic
- intense
Neutral, breathless, extreme action / spy, grounded in texture. Ambivalent, epic, measured, hand-scored across twelve axes of taste.
How every film is hand-scored →Michael Mason is an American pickpocket living in Paris who finds himself hunted by the CIA when he steals a bag that contains more than just a wallet. Sean Briar, the field agent on the case, soon realises that Michael is just a pawn in a much bigger game and is also his best asset to uncover a large-scale conspiracy.
Our read · Bastille Day (2016) reads as a neutral, breathless, grounded action · spy entry — extreme in intensity, epic-stakes in scope, measured in temperature, ambivalent in outlook. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.
More info & search links
The shape of Bastille Day
What watching it is actually like.
“You want brisk Paris chase-thriller energy with a pickpocket caught in conspiracy.”
Skip it tonight — Skip if terrorism-adjacent action or Idris Elba B-movie plotting feels too thin.
The reading.
Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.
Eight films that read most like this one.
Closeness in the twelve-axis space — how the film actually reads, not “people also liked.”
Discussion
What does your Movie DNA look like?
Rate a few films you've seen. We map your taste across the same twelve axes and find the films you'll actually want to watch tonight.
Calibrate yourself