Bad Living
- heavy
- measured
Heavy, measured, measured hotel / women, grounded in texture. Nihilistic, intimate, measured, hand-scored across twelve axes of taste.
How every film is hand-scored →In a family-run hotel near the northern coast of Portugal, several women from the same family, spanning different generations, live together. Their relationship, poisoned by bitterness, struggles to survive in the decaying hotel. The unexpected arrival of a granddaughter in this claustrophobic space provokes turmoil and rekindles latent hatreds and accumulated resentments.
Our read · Bad Living (2023) reads as a heavy, measured, grounded hotel · women · berlin entry — measured in intensity, intimate in scope, measured in temperature, nihilistic in outlook, with a strong directorial signature. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.
More info & search links
The shape of Bad Living
What watching it is actually like.
“You want an unflinching claustrophobic portrait of bitter multi-generational women in a dying hotel.”
Skip it tonight — You want any warmth, hope, or escape from toxic family resentment.
The reading.
Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.
Eight films that read most like this one.
Closeness in the twelve-axis space — how the film actually reads, not “people also liked.”
Discussion
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