Bad Hair
- sombre
Sombre, steady, measured drama / social, grounded in texture. Nihilistic, intimate, measured, hand-scored across twelve axes of taste.
How every film is hand-scored →A nine-year-old boy’s preening obsession with straightening his hair elicits a tidal wave of homophobic panic in his hard-working mother, in this tender but clear-eyed coming-of-age tale.
Our read · Bad Hair (2013) reads as a sombre, steady, grounded drama · social entry — measured in intensity, intimate in scope, measured in temperature, nihilistic in outlook. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.
More info & search links
The shape of Bad Hair
What watching it is actually like.
“You want a raw Venezuelan coming-of-age story about a boy's hair obsession and family tensions.”
Skip it tonight — You dislike explicit sex or painful mother-son psychological drama.
The reading.
Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.
Eight films that read most like this one.
Closeness in the twelve-axis space — how the film actually reads, not “people also liked.”
Discussion
What does your Movie DNA look like?
Rate a few films you've seen. We map your taste across the same twelve axes and find the films you'll actually want to watch tonight.
Calibrate yourself