Awake (2021) poster
2021 · drama · sci-fi · thriller · disaster

Awake

Directed by Mark Raso1h 36m2021
ElsewhereIMDb4.928kRT22%Metacritic35
  • sombre
  • intense
  • twisty
  • epic-stakes
Movie DNA

Sombre, steady, extreme drama / sci-fi, inventive in texture. Ambivalent, epic, measured, hand-scored across twelve axes of taste.

How every film is hand-scored →

After a sudden global event wipes out all electronics and takes away humankind’s ability to sleep, chaos quickly begins to consume the world. Only Jill, an ex-soldier with a troubled past, may hold the key to a cure in the form of her own daughter. The question is, can Jill safely deliver her daughter and save the world before she herself loses her mind.

Our read · Awake (2021) reads as a sombre, steady, inventive drama · sci-fi · thriller entry — extreme in intensity, epic-stakes in scope, measured in temperature, ambivalent in outlook. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.

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The shape of Awake

Tonight, this looks like

What watching it is actually like.

You want a brisk Netflix apocalypse thriller with a mother-daughter stake.

ends upliftingit stays with yougrabs you earlygrips from the openattention 3/5breezes by
Date nightWith friendsSoloWith parentsKids around
Heads-upchild perilgraphic violencedrug use

Skip it tonightYou need coherent science fiction, not loud disaster premise logic.

DNA · twelve axes

The reading.

Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.

Mood · HeavyCosy
Pacing · Slow-burnKinetic
Intensity · GentleExtreme
Weirdness · ConventionalSurreal
Hope · NihilisticRedemptive
Stakes · IntimateEpic
Humour · NoneBroad
Reality · GroundedFantastical
Density · SparseTwisty
Warmth · ColdTender
Auteur · TransparentSignature
Nearest by DNA

Eight films that read most like this one.

Closeness in the twelve-axis space — how the film actually reads, not “people also liked.”

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