Austin Powers: The Spy Who Shagged Me
- kinetic
- twisty
- epic-stakes
Neutral, breathless, measured comedy / adventure, inventive in texture. Ambivalent, epic, measured, hand-scored across twelve axes of taste.
How every film is hand-scored →When diabolical genius Dr. Evil travels back in time to steal superspy Austin Powers's ‘mojo,’ Austin must return to the swingin' '60s himself - with the help of American agent, Felicity Shagwell - to stop the dastardly plan. Once there, Austin faces off against Dr. Evil's army of minions to try to save the world in his own unbelievably groovy way.
Our read · Austin Powers: The Spy Who Shagged Me (1999) reads as a neutral, breathless, inventive comedy · adventure · crime entry — measured in intensity, epic-stakes in scope, measured in temperature, ambivalent in outlook. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.
More info & search links
The shape of Austin Powers
What watching it is actually like.
“You want sixties spy parody, time travel, and unapologetic horny absurdity.”
Skip it tonight — Raunchy pun comedy or Mike Myers overload annoys you tonight.
The reading.
Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.
Eight films that read most like this one.
Closeness in the twelve-axis space — how the film actually reads, not “people also liked.”
Discussion
What does your Movie DNA look like?
Rate a few films you've seen. We map your taste across the same twelve axes and find the films you'll actually want to watch tonight.
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