ATM
- heavy
- brisk
- intense
- bleak
- cold
Heavy, kinetic, measured horror / thriller, grounded in texture. Nihilistic, intimate, cold, hand-scored across twelve axes of taste.
How every film is hand-scored →After leaving their company Christmas Party together, David Hargrove and Emily Brandt’s impromptu first date takes an unexpected turn when their coworker, Corey, asks them to make a late-night stop at an ATM. What should be a routine transaction turns into a desperate struggle for survival when an unknown man appears outside the vestibule.
Our read · ATM (2012) reads as a heavy, kinetic, grounded horror · thriller · survival entry — measured in intensity, intimate in scope, cold in temperature, nihilistic in outlook. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.
More info & search links
The shape of ATM
What watching it is actually like.
“You want a lean trapped-in-an-ATM vestibule siege with mounting dread.”
Skip it tonight — Skip if thin premise thrillers and a bleak final sting feel pointless.
The reading.
Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.
Eight films that read most like this one.
Closeness in the twelve-axis space — how the film actually reads, not “people also liked.”
Discussion
What does your Movie DNA look like?
Rate a few films you've seen. We map your taste across the same twelve axes and find the films you'll actually want to watch tonight.
Calibrate yourself