Apostasy
- heavy
- intense
Heavy, steady, measured drama / discrimination, grounded in texture. Ambivalent, mid-stakes, measured, hand-scored across twelve axes of taste.
How every film is hand-scored →In the Meiji period, a schoolteacher tries to hide his lower-class upbringing as he supports a visiting liberal intellectual.
Our read · Apostasy (1948) reads as a heavy, steady, grounded drama · discrimination · burakumin entry — measured in intensity, mid-stakes in scope, measured in temperature, ambivalent in outlook. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.
More info & search links
The shape of Apostasy
What watching it is actually like.
“You want thoughtful Japanese Meiji drama on class discrimination and integrity.”
Skip it tonight — You want action, romance or fast contemporary stories.
The reading.
Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.
Eight films that read most like this one.
Closeness in the twelve-axis space — how the film actually reads, not “people also liked.”
Discussion
What does your Movie DNA look like?
Rate a few films you've seen. We map your taste across the same twelve axes and find the films you'll actually want to watch tonight.
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