Andromedia
- brisk
Neutral, kinetic, measured sci-fi / drama, inventive in texture. Ambivalent, mid-stakes, measured, hand-scored across twelve axes of taste.
How every film is hand-scored →After his daughter Mai is killed in an auto accident, a genius programmer recreates her in the form of a computer program called AI. His jealous brother-in-law, wanting to get his hands on the technology for profit, sends his client to steal it and Mai’s father is killed in the process. Learning of her capture, Mai’s old friends race to free AI from her captors so that she won’t fall into the corporate clutches that threaten to erase her soul.
Our read · Andromedia (1998) reads as a neutral, kinetic, inventive sci-fi · drama · idol entry — measured in intensity, mid-stakes in scope, measured in temperature, ambivalent in outlook. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.
More info & search links
The shape of Andromedia
What watching it is actually like.
“You want early Miike sci-fi about a girl recreated as AI and friends fighting to save her.”
Skip it tonight — Skip if 90s CG and uneven tonal shifts in a tech grief story annoy you.
The reading.
Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.
Eight films that read most like this one.
Closeness in the twelve-axis space — how the film actually reads, not “people also liked.”
Discussion
What does your Movie DNA look like?
Rate a few films you've seen. We map your taste across the same twelve axes and find the films you'll actually want to watch tonight.
Calibrate yourself