All the Old Knives
- sombre
- bleak
Sombre, steady, measured thriller / romance, grounded in texture. Nihilistic, intimate, cold, hand-scored across twelve axes of taste.
How every film is hand-scored →When the CIA discovers one of its agents leaked information that cost more than 100 people their lives, veteran operative Henry Pelham is assigned to root out the mole with his former lover and colleague Celia Harrison.
Our read · All the Old Knives (2022) reads as a sombre, steady, grounded thriller · romance entry — measured in intensity, intimate in scope, cold in temperature, nihilistic in outlook. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.
More info & search links
The shape of All the Old Knives
What watching it is actually like.
“You want candlelit spy regret where every polite line hides a blade.”
Skip it tonight — Skip if betrayal-heavy CIA flashbacks and a brutal final reveal will wreck you.
The reading.
Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.
Eight films that read most like this one.
Closeness in the twelve-axis space — how the film actually reads, not “people also liked.”
Discussion
What does your Movie DNA look like?
Rate a few films you've seen. We map your taste across the same twelve axes and find the films you'll actually want to watch tonight.
Calibrate yourself