A Ton of Luck
- brisk
Neutral, kinetic, measured action / comedy, inventive in texture. Ambivalent, mid-stakes, measured, hand-scored across twelve axes of taste.
How every film is hand-scored →The story, based on true events occurred in Colombia en May 2003, tells the dreams and adventures of Porras, Venegas, Lloreda and Perlaza, four of the 147 soldiers that were in a company of the anti-guerrilla "Destroyer" battalion. It begun when these soldiers found in the middle of the jungle, during a rescue mission, 46 million dollars inside a FARC "guaca". Instead of give it to the Government, they take it all for themselves instead. They desperate when realize that they're completely isolated because the bridge, the only way to return to civilization, has been blown up. Everything's ironic, almost surreal: These soldiers don't have food, water, or toilet paper, but they sleep on their dollar-ful bags. This discovery will change their lives forever, and will allow them to have everything they've dreamt about: some authority, power and respect, others help their families and have a no-longer poor life. Their big challenge: return to civilization and make their dreams come true.
Our read · A Ton of Luck (2006) reads as a neutral, kinetic, inventive action · comedy · drama entry — measured in intensity, mid-stakes in scope, measured in temperature, ambivalent in outlook. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.
More info & search links
The shape of A Ton of Luck
What watching it is actually like.
“You want a black comedy about Colombian soldiers stumbling on a fortune in drug money.”
Skip it tonight — You dislike moral ambiguity mixed with violence and sudden wealth plots.
The reading.
Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.
Eight films that read most like this one.
Closeness in the twelve-axis space — how the film actually reads, not “people also liked.”
Discussion
What does your Movie DNA look like?
Rate a few films you've seen. We map your taste across the same twelve axes and find the films you'll actually want to watch tonight.
Calibrate yourself