A Fantastic Fear of Everything
- brisk
- inventive
- intimate
Neutral, kinetic, measured comedy / thriller, inventive in texture. Ambivalent, intimate, cold, hand-scored across twelve axes of taste.
How every film is hand-scored →Jack is a children's author turned crime novelist whose detailed research into the lives of Victorian serial killers has turned him into a paranoid wreck, persecuted by the irrational fear of being murdered. When Jack is thrown a life-line by his long-suffering agent and a mysterious Hollywood executive takes a sudden and inexplicable interest in his script, what should be his big break rapidly turns into his big breakdown, as Jack is forced to confront his worst demons; among them his love life, his laundry and the origin of all fear.
Our read · A Fantastic Fear of Everything (2012) reads as a neutral, kinetic, inventive comedy · thriller · horror entry — measured in intensity, intimate in scope, cold in temperature, ambivalent in outlook. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.
More info & search links
The shape of A Fantastic Fear of Everything
What watching it is actually like.
“You want odd Simon Pegg paranoia comedy that finally clicks in the launderette.”
Skip it tonight — You need tight plotting; the first act wanders before the genre gears engage.
The reading.
Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.
Eight films that read most like this one.
Closeness in the twelve-axis space — how the film actually reads, not “people also liked.”
Discussion
What does your Movie DNA look like?
Rate a few films you've seen. We map your taste across the same twelve axes and find the films you'll actually want to watch tonight.
Calibrate yourself