7 Days in Hell
- warm
- kinetic
- gentle
- inventive
- cold
- intimate
Warm, breathless, gentle tv-movie / comedy, inventive in texture. Ambivalent, intimate, cold, hand-scored across twelve axes of taste.
How every film is hand-scored →A fictional documentary-style expose on the rivalry between two tennis stars who battled it out in a 1999 match that lasted seven days.
Our read · 7 Days in Hell (2015) reads as a warm, breathless, inventive tv-movie · comedy · sports entry — gentle in intensity, intimate in scope, cold in temperature, ambivalent in outlook. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.
More info & search links
The shape of 7 Days in Hell
What watching it is actually like.
“You want forty-three minutes of absurd tennis mockumentary with A-list silliness.”
Skip it tonight — Skip if juvenile sports parody and raunchy jokes will not land for you.
The reading.
Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.
Eight films that read most like this one.
Closeness in the twelve-axis space — how the film actually reads, not “people also liked.”
Discussion
What does your Movie DNA look like?
Rate a few films you've seen. We map your taste across the same twelve axes and find the films you'll actually want to watch tonight.
Calibrate yourself