13 Exorcisms
- heavy
- extreme
- bleak
- cold
Heavy, steady, extreme drama / horror, inventive in texture. Nihilistic, mid-stakes, cold, hand-scored across twelve axes of taste.
How every film is hand-scored →After participating in a séance, young Laura begins to behave strangely. Alarmed, her parents ask Father Olmedo, one of the few exorcists authorized by the Vatican to intervene in cases of demonic possession, for help.
Our read · 13 Exorcisms (2022) reads as a heavy, steady, inventive drama · horror · supernatural entry — extreme in intensity, mid-stakes in scope, cold in temperature, nihilistic in outlook. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.
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The shape of 13 Exorcisms
What watching it is actually like.
“You want Spanish possession horror centered on a young woman and exorcisms.”
Skip it tonight — You dislike exorcism stories or intense religious horror.
The reading.
Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.
Eight films that read most like this one.
Closeness in the twelve-axis space — how the film actually reads, not “people also liked.”
Discussion
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Rate a few films you've seen. We map your taste across the same twelve axes and find the films you'll actually want to watch tonight.
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